Jude Hill is brilliant as a sensitive kid troubled by the Troubles, playing war with a wooden sword and a trash-can-lid shield as grownups battle for real. Not since John Boorman’s 1987 WWII masterpiece Hope and Glory has there been such an inspiring film about a director’s childhood in a war zone - in this case, Kenneth Branagh, now 60, growing up amid the 1969 Protestant-Catholic riots in Ireland. And the black-and-white cinematography is as good as Belfast’s. Norman is one fine child actor, on par with Phoenix at his best. But go with its shagginess - it will warm you. Some will loathe the movie’s looseness, and the real-kid interview scenes make it like two movies. Their bond grows, as does Johnny, a bit like Hugh Grant in About a Boy but with infinite naturalism. He’s a whirlwind of cute-free, extreme eccentricity, and peppers him with questions - “Why aren’t you married?” and “Will I wind up like my dad?” - and scares him witless by wandering off in crowds. So Jesse joins Johnny in New York and on the road. She’s got to tend to her bipolar husband (Scoot McNairy). sister (an excellent Gaby Hoffmann) asks him to look after her 8-year-old, Jesse (Woody Norman). Joaquin Phoenix is superb as Johnny, a charming, disheveled radio journalist who interviews (apparently actual) kids about how they see the future.
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Watch it: King Richard, in theaters and on HBO Max ĭon’t miss this: The 7 things Aunjanue Ellis suggests doing nowĪnd this: The best Will Smith movies (so far), rankedĪnd this!: The ultimate tennis lover’s movie watchlist Remarkably, Aunjanue Ellis (52) is even better in the smaller role of Richard’s wife, Oracene, who stands up to his iron will and coaches just as well. Smith conveys the bizarre drive that made his preposterous plan come true in a performance as impressive as anything he’s done, perhaps more, and entirely new. Will Smith (53) outdoes himself as their dad/coach Richard, who survived KKK thugs in youth, protects them from Compton thugs, vows they won’t always have to share a bedroom with three other extremely talented sisters in poverty and shamelessly promotes them to the rich, lily-white tennis establishment. They hit all the notes of a sport biopic with a satisfying thwack. In the real story of tennis immortals Venus and Serena Williams, the kids (Saniyya Sidney and Demi Singleton) are all right. It won’t make you laugh much, but it’s good for a smile.
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The over-obvious satire shoots fish in a barrel: dim, upbeat morning TV hosts (Cate Blanchett and Tyler Perry), a shallow pop star (Ariana Grande), social-media idiocy, bad-fact deniers, candidates for public office who starred in TV’s soft-porn Satin Sheet Nights.
comet response for the Planetary Defense Coordination Office (which really exists).
Strangelove-ish general (Ron Perlman) run the calamitous U.S. She tells the nation, “They want you to be afraid! They want you to look up so they can look down on you!” Then she lets a tech zillionaire nut (superbly weird Mark Rylance) and a Dr. The president ( Meryl Streep) and her horrid son and adviser (Jonah Hill) fear the news will hurt their polls. In an amazingly star-studded comedy that’s kind of fun but seldom funny, nerdy Leonardo DiCaprio and punky, nose-ringed Jennifer Lawrence are astronomers who warn America that a comet is about to pulverize Earth.
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